My Heart is a Poised Cithara, 2020

In the Room of the Painted Perspectives (Palazzo Altemps), filled with sculptures canonically reproduced over the centuries, the gestures of Prinz Gholam stand up as a critique consisting of similarities and profound variations that unfold in all the possible perspectives that both the body of the performers and of statues assume. In this anatomical landscape, intimacy and memories take over, and it is in this space that we can find a sense of community, in line and also in conflict with our historical-artistic past.